READERS UNDRESSED
It is eleven o’clock and the
Creeping Jinny woman’s cap appears rising slowly up the staircase.
Nice if it were just the cap alone, well, not nice, but less dreary
say, but already as you day-dream the cap is followed by a head, face
and form, and the Creeping Jinny woman herself beetles silently across
the expanse of floor towards you, all complete, alas.
Of what, you silent, sad, dim
Creeping Jinny woman is your everlasting hat made, and at what period
was it conceived?
Does the small cluster of beads
trembling on the right hand side mean that once there was another
cluster on the other side to balance things? And is the colour dark
green, a poor black, or a slate grey?
I know nothing about here except her
name and address which is on her Library ticket, that she arrives dead
on 11.00 and creeps round the Library walls dimly, unhappily,
unhopefully, and when she has chosen her books, back she
comes to the counter to stand there
waiting patiently and humbly while I date stamp them out.
Perhaps at home she is another
person? Perhaps she gallops around or practises Yoga? Is a comic?
Drinks? Paints pictures? But however much I fantasise about her, I can
see in imagination a small terrace house, neat (oh, very neat) and
silent, with crocheted things over chair backs and a crumb on the rug
and the Creeping Jinny woman stooping fumblingly to pick it up.
Usually on the stroke of twelve she
departs. To partake of her solitary lunch no doubt? A meat-pie? A
kipper perhaps? "An’ there’s a bit of blanc-mange on a saucer
in the pantry, isn’t there?" Pad, pad to the pantry . . . . (Oooo!
Give over) I’m sorry out of my heart for her but oh, she
depresses me to the ground.
Anyway, who else? Mr Ambersley any
minute now surely? Yes, he is coming. Come along dear fat chesty Mr
Ambersley and let us have your profound and uplifting comments on life
and the weather. Here we go --
"It’s changed, weather
‘as. It’s sharp. Wheer’s t’other young lady? Off sick agen?
When I wor a lad if we wor deein’ we ‘ad to go to wuk. ‘Av
yer got some new crime ones fer me? Eeee, it’s a cold wind. It’s
changed . . . ."
Mr Ambersley always chooses mornings
to appear, but his wife, on the contrary, turns up unfailingly every
Wednesday afternoon.
Mr Ambersley’s wife is one of the
Romance Ladies, who all seem to arrive together in a full-throated
pack. Very valiant full-sail capable Yorkshire-housewife-women they
are. They’ve scrubbed and scoured their houses (you’d know that
somehow, even if you didn’t hear them proclaiming it) and with the
same purposefulness they set about wresting from the trolley of
returned fiction at least three "good" books.
They are very avid, these women.
They know what they want. Before you can fish out their individual
tickets they are snatching at each other’s volumes. The one where
the Surgeon is courting the Theatre Sister and the one where the swab
is found in the chap’s inside -- those are prize favourites. They
cluster around the counter, all bosoms, baskets, backsides and
lavender water, demanding their Doctor-Nurse Romances.
Sometimes I think that one day, when
on the scent, they’ll trample me down. Their stout shoes grinding
into my face and form as I lie prostrate alongside the counter, date
stamp in fist, while they forage savagely above me. Berserk
Yorkshire-Housewife-Ladies.
After they have departed the Young
Marrieds appear with their babies.
The Young Marrieds are a slimmer
edition of the Romance Ladies, only instead of elaborate toques they
are inclined to go hatless. They all have the slightly harassed look
on their faces which is common to all young mothers as they bustle
absentmindedly around the shelves with an eye more often on their
crawling offspring or the clock, than on the books.
Meanwhile Baby explores the expanse
of polished floor, pulls a few books out of the bottom shelves,
enjoying the nice clatter they make as they fall. He likes to get
behind the counter and quietly work open cupboard doors, and above all
loves the umbrella stand. The latter is an old, ricketty iron affair,
and all babies are drawn to it. If pushed hard it makes a terrific
scratching rattle as its horrid iron claws scrape along the boards.
Strong lusty babes fed on their Mum’s good home-made food, all find
they can push it --
"Michael, come here at
once."
"Glenys, give over. . .
."
The afternoons on the whole are
pretty busy, rising to a crescendo of activity at four when the youth
from the Secondary Modern descends upon us. From then on, till about
four thirty, the place takes on the nature of a street scene.
Teen-agers lolling in corners and bays, grouping in
aisles, calling across to each
other. Sex flickers and crashes about the atmosphere then, in the
furtive self-conscious glances, in the scuffles and giggles. Even the
satchels, which are dumped here and there, and which I’ve tripped
over various times, are bursting voluptuously at the seams . . . .
Sometimes when the row becomes too much we are requested to eject
them. Very nice. We do so. They take as long as they dare to disperse,
eyeing us boldly and chewing their gum. Not until they hit the stairs
do they break into loud whoops and whistles. Defenceless? Awkward?
Pitiful? Just mixed up kids? No doubt, no doubt, but it would be nice
to have the job of belting them up for once.
Certain evenings there’s a little
fellow who comes in. He reads serious stuff. He is earnest, polite,
humble and aged about thirty.
I like this chap but, ye gods, he
has an affliction. I wish some kind friend would engage him in a quiet
talk one day.
"Have you tried using
Carbolic Soap, John?" (balloony thing coming from lips.) John
despondent, shoulders sagging. He knows he is a failure and no
girls take to him. Why? The kind friend tells him why, ballooning
away, and a few weeks later, there is John (one imagines) the
centre of an admiring group of women.
"We never thought you were
such a live wire, John."
"Why John, you’ve made
this party!"
Of course by now you’ll have
guessed that John pongs a bit. You are right, he does. It’s his
feet, poor chap. On a hot day John’s presence in the Library is
known immediately. On a cold day, should the alcove he occupies happen
to hold a radiator, the smell doesn’t gently penetrate, it assaults
you.
Sometimes canine friends accompany
their owners, and there they sit tied to the rail, patiently waiting,
while Master or Mistress dawdles amongst the books. One earnest,
rather depressed looking spaniel frequently accompanies a lady whom I
privately call The Laughing Lady. When you hear more about the
Laughing Lady you will understand why the spaniel has to be depressed.
The Laughing Lady is a curious case.
She roars with mirth almost constantly at everything.
"Har-har-har-har! I’m
reet daft. I sez to our Bert, I sez -- ‘turn teapot on an’ put
kettle to warm while I’m gone . . . .’ Can you beat it!
Har-har-har-har! Hi! Isn’t that Mrs Fling? We saw you passin’
our window yesterday Mrs Flint an’ our Bert sez -- ‘She can
move.’ It wor blowin’ an’ rainin’ but you weren’t
bothered. Eeee, I did laugh. Har-har-har-har!"
Sometimes I’ve tested her to see
if she can speak without the accompanying merriment, but no go so far.
How, I ask myself gloomily, will she behave on her death-bed for
instance, for die she must some time. Could she, will she be
serious then?
"Har-har-har-har!" (a
little gaspy and muted perhaps). "It seems as tho’ I’m
dyin’. Me goin’ to ‘Eaven! Wot a scream . . . .
Har-har-har-har!"
When, at such a time, think I a
trifle morbidly, will the sounds of mirth change to the ominous
rattle?
Creeping Jinny woman making her sad,
intricate design, the Romance Ladies weaving in and out, crying
lustily for their hospital romances, the crude, rude, pimpled, clumsy
adolescents, blathering old Ambersley and his wife, the crawling
wide-eyed wicked babes and their harassed mothers, the laughter of the
Laughing Lady (har-har-har-har), the patient-eyed dogs waiting for
their Goddos . . . me . . . stamping, smirking, sighing . . . .
A sort of Ghost Ballet I imagine I
leave behind, performing its set little pattern on and on through the
silent small-town night.